Man-Wolf Goes to Space, Part 4

 

cover art by George Perez

Marvel Premiere #46 (February 1979) brings Man-Wolf's epic Space Opera adventure to a close. The script is still by David Kraft. For this final issue, George Perez does the breakdowns and Ricardo Villamonte does the finished art.

We left off last time with Man-Wolf and one companion (Gorjoon) seeking to rescue their companions from the palace of Tyrk, the ruthless dictator. 

The trouble is that Tyrk's palace floats in the air well above them.

But the moonstone is still increasing Man-Wolf's strength. Using this strength means that a rope tied to a spear will give them a way to climb up. 

There's some great dialogue between Man-Wolf and the scared but still determined Gorjoon during the sequence, adding a little bit of humor to the otherwise tense situation. But when they reach the palace, things get tense once again. His companions who were captured in the previous issue are chained and about to be tortured. Man-Wolf violently objects to this and soon, after freeing some other prisoners as well, he's leading the good guys in a charge towards Tyrk's throne room.

But the charge is stopped dead when they reach the throne room. Over the last few issues of this story, there's been a sub-plot set back on Earth in which someone has kidnapped John's girlfriend Kristine Saunders. Now we find out that it was Tyrk who did that kidnapping.

Man-Wolf has a choice. Surrender or watch the woman he loves die. (Tyrk, of course, is planning on killing her no matter what.)

Man-Wolf opts to take a third option--allowing himself to access the full god-powers of the stone. Soon, stuff starts exploding.

It turns out, though, that only the bad guys blew up. Kristine is safe and the dimension is free from its evil ruler. 

There's one more scare before the story ends. Kristine goes through a portal back to Earth. But before Man-Wolf can follow, a not-quite-dead Tyrk destroys the portal. At first, it seems John Jameson is getting the tragic ending that all werewolf characters seemed destined to get. But John is able to use the last of his god powers to force himself through the dimensional barrier to Earth.

Hey, a werewolf gets a happy ending! 

Kraft and the artists bring this epic to a satisfying conclusion. Villamonte does justice to Perez's breakdowns, bringing the well-written story to vivid life. And the happy ending fits. Not every werewolf story has to end tragically. This time, the happy ending is earned.

What'll we look at next week? Well, with Disney doing such a good job of destroying Star Wars in modern day, it might be nice to look back at a time when Star Wars was still fun. 

Cover Cavalcade

 JUNE IS AVENGERS vs JLA MONTH!!!

From February 1973: The JLA cover is by Nick Cardy and the Avengers by Rich Buckler. 

Friday's Favorite OTR

 Escape: "Seven Hours to Freedom" 11/3/50

A commercial fishing boat is hijacked by escaping convicts. The two-man crew is given a choice: Die now, or take the convicts to Mexico and die later.

Click HERE to listen or download. 

Cover Cavalcade

 JUNE IS AVENGERS vs. JLA MONTH!!!

Two Neal Adams covers, both in issues cover dated February 1972.

Friday's Favorite OTR

 Screen Guild Theater: "Destry Rides Again" 2/2/41

Henry Fonda takes the role as the soft-spoken deputy tasked with cleaning up a lawless town.

Click HERE to download or listen. 

NO WEDNESDAY/THURSDAY POSTS FOR TWO WEEKS

 

My wife and I are of on a river cruise down the Danube, during which we will undoubtably battle sea monsters and use brilliant deductive reasoning to solver murders. So there will be no Wednesday or Thursday posts until June 10. 

Cover Cavalcade

 MAY IS POST-APOCALYPTIC FUTURE MONTH!!!!

Killraven is having a bad day in the Herb Trimpe cover from 1974.

Friday's Favorite OTR

 Burns and Allen: "Cast Your Ballot" 2/9/43

Gracie wants to be president of her women's club, so she wants to get a celebrity speaker for the next meeting. This requires telling one fib to Charles Laughton, telling a different fib to George and a THIRD fib to the club members. What can possibly go wrong?

Click HERE to listen or download 

Short Story Genre Survey, Part 3

 

Today, we tackle a fantasy tale:

Sports

Adventure

Mystery

Horror

Science Fiction

Fantasy

Western

War

In the 1930s, Clark Ashton Smith wrote his Zothique tales--stories set in the far future. This dying Earth is lit by a dim, red sun and the world is infested with magic and monsters. They are fantastic stories full of vivid imagery, ornate prose and sardonic humor.

In the 1950s, Jack Vance began writing his version of a Dying Earth. In a 1981 interview, he freely admitted Smith's influence. Though Vance (like Smith, an extraordinary writer) gave his Dying Earth its own feel, it was very similar to Zothique in many ways. Dim, red sun, magic and monsters, ornate prose, vivid imagery and sardonic humor.

One of Vance's best characters lived in his Dying Earth setting. Cugel the Clever was a thief and con artist who wasn't necessarily as clever as he thought he was. His plans to make a less-than-honest living pretty nearly always went awry or led to unplanned consequences.

In 1974, Vance returned to Cugel after the thief had disappeared into Fiction Limbo for some years. "The Seventeen Virgins." first appeared in the October 1974 issue of Fantasy & Science Fiction Magazine. 

It takes a while for the virgins to come into the picture. Cugel is fleeing one location and comes across a village whose people and customs are unknown to him. He makes some money running a dishonest card game and a fake fortune teller scam. 

It's here the titular virgins appear. Wanting to move on, he uses a less-than-ethical plan to get a job as the night guard on a caravan transporting the virgins to another city for a religious ceremony. But Cugel is the only night guard, which means he's free to secretly visit some of the virgins. Not all of them qualify for their roles when the caravan reaches its destination. 

This city bases its culture on altruism and redemption, so Cugel is given an opportnity to redeem himself. This, unfortunately, involves giving Cugel the task of talking to a captured demon and giving it a chance to give up evil. This is not likely to end well.

Like all the Cugel stories, this one is just plain fun to read. Like Clark Ashton Smith, Vance had a love for obscure words and a talent for picking just the right words to make any particular sentence a delight to read. 

This story isn't quite as old as most of the prose fiction I discuss on this blog, but what the heck. It's definitely worth reading. You can find it online HERE. 

Man Wolf Goes to Space, Part 3

 

cover art by George Perez

Three stinkin' years. That's how long it had been since the publication of Creatures on the Loose #37 in 1975, after publishing the second part of a 4-part Man -Wolf/Space Opera epic. I wonder what the sales for the next two issues of Marvel Premiere were. In those ancient days, many of us were still depending on spinner racks at the local 7/11 to find our comics. We may have long forgotten poor Man-Wolf's dilemma by the time Marvel Premiere #45 (December 1978) came out, or we might have missed it on the inconsistently stocked spinner racks. 

Well, if nothing else, that George Perez cover is eye-catching.

And his interior art, (with the script by David Kraft), is equally awesome. The story left off with John Jameson and three warriors from another dimension escaping a space station and heading for the moon. But the moonlight turned Jameson into Man-Wolf, who (unlike his human counterpart) is not a skilled space pilot.

So we pick up with the ship crashed on the moon and the three warriors unconscious. Man-Wolf, though, rips his way out of the ship. Something protects him from the lack of atmosphere and temperature extremes as he's drawn in a particular direction.

He enters a cave, passes through a dimensional gateway and ends up in another dimension. (The three warriors join him soon after, linking up with the other people Man-Wolf meets.)

Suddenly, Man-Wolf can think--Jameson's personality is in control. And he can communicate telepathically with the others. He discovers that this dimension's Stargod had grown old and created the gate to travel to our moon and die there, thus sparing his home dimension the effects of his decay.

John found the Stargod's stone, but not enough energy from the Stargod's home dimension leaked through to give John access to the stone's full powers. Thus, he was stuck being a mindless werewolf until now.

There's quite a bit of exposition here, as we also learn that this small band of warriors is battling the ruthless dictator who rules the dimension. But the information is delivered to us quickly and Perez's art continues to pop off the page, so the pacing of the tale does not suffer.

Man-Wolf agrees to help them. They charge into battle on flying beasts and are soon locked in combat with the dictator's undead minions.

So an astronaut/werewolf armed with a sword leads a ragtag band of extra-dimensional rebels flying dragon/pegasus hybrids into battle against undead warriors. THIS is why I love comic books.

The battle does not go well. Two of the rebels are killed. Man-Wolf and another rebel are knocked out of the sky. The remainder are captured.

But the war isn't over. When Man-Wolf sees the corpse of one of the rebels, he vows revenge.

One can argue that the moon-stone that turns John Jameson into a monster didn't need any more of a back story than "it's magic/super-science of some sort." But here, David Kraft and George Perez give that stone a super-cool origin that tosses Man-Wolf into a Space Opera epic, effectively stitching together a lot of bizarre cool elements to satisfy the nerdist of nerds. And it ends with a very effective cliffhanger.

But we will not be looking at the conclusion next week, I'm afraid. My wife and I are off to Germany to take a river cruise down the Danube and (I'm assuming/hoping) use brilliant deductive reasoning to solve a murder along the way. That means a two-week break in both Wednesday and Thursday posts. Be patient. We'll look at the last part of this story in three weeks.