BOOKS WORTH READING

BOOKS WORTH READING
Click on Melvin for reviews of every book I read

Thursday, February 4, 2021

Martian Rhetoric

 


I'm writing this about two weeks before it will post. At the same time, Angela and I are reading A Princess of Mars (1912)--Angela for the first time and me for the umpteenth time. I'll be recording a series of mini-episodes for the Edgar Rice Burroughs podcast analysing the novel on a chapter-by-chapter basis. 

The fun thing about reading a great book with the intention of writing about it is that it guides you to noticing things that I never consciously noticed before. For instance, this time around, I discovered that people on Barsoom can make wonderful off-the-cuff speeches. 

In Chapters 9 and 10 of "A Princess of Mars" (1912), three characters give short but eloquent speeches that vividly demonstate Burroughs skill as a storyteller. Each of the speeches is a masterpiece of rhetoric.
From Chapter 9, in which Sola the female Thark is defending her show of concern for a captive human woman:
"I see nothing wrong with my expression of interest in this red woman," retorted Sola. "She has never harmed us, nor would she should we have fallen into her hands. It is only the men of her kind who war upon us, and I have ever thought that their attitude toward us is but the reflection of ours toward them. They live at peace with all their fellows, except when duty calls upon them to make war, while we are at peace with none; forever warring among our own kind as well as upon the red men, and even in our own communities the individuals fight amongst themselves. Oh, it is one continual, awful period of bloodshed from the time we break the shell until we gladly embrace the bosom of the river of mystery, the dark and ancient Iss which carries us to an unknown, but at least no more frightful and terrible existence! Fortunate indeed is he who meets his end in an early death. Say what you please to Tars Tarkas, he can mete out no worse fate to me than a continuation of the horrible existence we are forced to lead in this life."
From Chapter 10, in which Dejah Thoris, despite being a prisoner and facing torture and/or death, calls on the Tharks to set aside their brutal customs and join with the red men in their work to keep Barsoom from dying:
"We were unprepared for battle," she continued, "as we were on a peaceful mission, as our banners and the colors of our craft denoted. The work we were doing was as much in your interests as in ours, for you know full well that were it not for our labors and the fruits of our scientific operations there would not be enough air or water on Mars to support a single human life. For ages we have maintained the air and water supply at practically the same point without an appreciable loss, and we have done this in the face of the brutal and ignorant interference of you green men.

"Why, oh, why will you not learn to live in amity with your fellows. Must you ever go on down the ages to your final extinction but little above the plane of the dumb brutes that serve you! A people without written language, without art, without homes, without love; the victims of eons of the horrible community idea. Owning everything in common, even to your women and children, has resulted in your owning nothing in common. You hate each other as you hate all else except yourselves. Come back to the ways of our common ancestors, come back to the light of kindliness and fellowship. The way is open to you, you will find the hands of the red men stretched out to aid you. Together we may do still more to regenerate our dying planet. The granddaughter of the greatest and mightiest of the red jeddaks has asked you. Will you come?"
Also in Chapter 10, John Carter makes it clear that he will remain true to his moral code no matter what:
"I hear you, Tars Tarkas," I answered. "As you know I am not of Barsoom; your ways are not my ways, and I can only act in the future as I have in the past, in accordance with the dictates of my conscience and guided by the standards of mine own people. If you will leave me alone I will go in peace, but if not, let the individual Barsoomians with whom I must deal either respect my rights as a stranger among you, or take whatever consequences may befall. Of one thing let us be sure, whatever may be your ultimate intentions toward this unfortunate young woman, whoever would offer her injury or insult in the future must figure on making a full accounting to me. I understand that you belittle all sentiments of generosity and kindliness, but I do not, and I can convince your most doughty warrior that these characteristics are not incompatible with an ability to fight."

Each of these speeches serves to establish character, establish mood and advance the plot. What schools and universities need today is to invite Martian teachers of Rhetoric to Earth as visiting professors. Eloquent speechmaking like this is pretty much a lost art and it would strengthen our own culture to re-capture that skill.


Wednesday, February 3, 2021

Defeating Evil with.... Niceness?

 


cover artist unidentified


Casper's Ghostland #38 (October 1967) teaches us an important lesson. If you are nice to your enemies instead of mean, then... you'll be able to get away from them when they start fighting each other?

Many stories appearing in Harvey Comics can be accurately described with the word "Delightful" and "Spook School" (drawn by Warren Kremer; writer unidentified) can certainly be included in this. It begins with the Ghostly Trio--Casper's uncles--once again being aggravated with Casper for being so friendly all the time. Ghosts are supposed to be scary, not friendly!


They decide to send him to Spook School, where young ghost are taught how to boo, curl wallpaper, crack windows and do other scary stuff. Sadly, Casper's boo is weak and he can only manage to uncurl wallpaper and uncrack windows.


The story then takes a bizarre twist. Over in Goblandia, the Goblin king is annoyed because his people are so busy farming and growing food that they don't have time to be scary themselves. So they come up with a plan to raid the Spook School, capture a bunch of ghosts, using Spook-proof bags, and forcing the ghosts to do the farm work.



The plan goes well at first, but the ghost rather understandable dislike being used as slave labor. They keep stunning the goblins with loud Boos, while the goblins retaliate with mean tricks.


All but Casper, who begins to act friendly towards the goblins. The goblins actually like this and begin to question why they aren't nice to one another. 



Which, in turn, leads to the goblins fighting one another because each objects to the other being mean. The ghosts easily escape amidst the ensuing confusion. 


So, the next day, when the Ghostly Trio look in on Casper, they are horrified to see him teaching other ghosts to be friendly. A loud Boo is used to destroy the Spook School before this heresy can continue, because one Friendly Ghost is more than enough.



I love this story. I love how it teaches a lesson about being nice, but twists that lesson about in an ironic and hysterical way. I love how it can show so many of the characters being mean without the story itself being mean-spirited. I love Kremer's clean and imaginitive art work. 

And I love that I now know that if I'm ever captured by goblins, I can get them to destroy each other by being nice to them. And knowing is half the battle.


I enjoyed looking at a whimsical tale this week, so we'll do the same next week as we follow Super Rabbit on wacky adventure.

Monday, February 1, 2021

Cover Cavalcade

 


From 1970. A superb Frank McCarthy cover for Elmore Leonard's second-best Western. 

Friday, January 29, 2021

Friday's Favorite OTR

 Molle Mystery Theater: "Lady in the Morgue" 5/15/45




A woman's body is stolen from the morgue. The morgue attendant and--later--an undertaker are murdered. It's up to private eyes Crane and O'Malley to find the killer in this goofy but entertaining mystery. 


This episode is a recording from when it was re-run on Mystery Playhouse, an Armed Forces Network show hosted by Peter Lorre. 


Click HERE to listen or download. 

Thursday, January 28, 2021

The Thirteenth Hour

 


Read/Watch 'em in Order #122



The penultimate entry in the Whistler film series is the last one staring Richard Dix, Sadly, bad health and alcoholism led to his death in 1947.


But at least his acting career ended on a strong note. The Thirteenth Hour (1947) is another strong, well-written entry in the Whistler series, with Dix giving yet another fine performance.


In this one, he plays a truck driver named Steve Reynolds. Steve's life is going well. He's engaged to a pretty widowed mom named Eileen (Karen Morley) and he's recently paid off his truck. 



But a moment of bad luck changes everything. His truck is run off the road by a reckless driver, but no one else sees the other vehicle. He has alcohol on his breath because he drank a glass of punch at Eileen's birthday party before hitting the road. A hitchhiker he had picked up disappears and can't back up his story. And, perhaps worst of all, the motorcycle cop who shows up after the crash also had a thing of Eileen.


The end result is Steve getting his license suspended for six months, which means he has to hire other drivers to stay in business. But when a driver calls out sick, Steve takes a chance on getting back behind the wheel of the truck to make that night's delivery.


He figures all he has to worry about is getting pulled over by the cops. But what happens is a tad bit worse than that. A hijacker knocks him out, uses the truck to kill the motorcyle cop and leaves Steve to take the blame.


So the movie becomes a "man on the run to find the real killer" story.  It's a well-used plot devise, but that's because it makes for a good mystery when well-written. And The Thirteenth Hour is indeed well-written, with a logical plot and several unexpected plot twists. 



I actually don't want to give too detailed a summary because I don't want to spoil the nicely done twists for anyone. Suffice to say that Steve and those helping him, which includes a good friend, Eileen and Eileen's son, act in an intelligent and logical manner when pursing leads to find the real killer. They also keep their heads to outsmart the bad guy when the situation turns dangerous during the climax. 


The bad guy's identity is a real surprise (though many alert viewers will tumble to it a few minutes before the film reveals it) and he also acts with reasonable intelligence, making him an effective villain. 


I like this one a lot and it runs neck-to-neck with Mysterious Intruder as my favorite in the series so far.


Of the eight Whistler films, I have six on DVD (recorded off of TCM a few years ago). The Thirteenth Hour one of the two I don't have on disc, so I watched it on YouTube. I'm posting that YouTube video below. But I don't know what the copyright situation is for the movie and don't know if it might one day get pulled. So, as I stated with the other Whistler movie shared here, if my future biographers visit this post in the future (while researching my influence that made me the cultural savior of civilization) and the post below isn't active--it's NOT MY FAULT!



Wednesday, January 27, 2021

King of the Hill

 


cover art by Joe Kubert


The U.S.S. Stevens stories, written and drawn by Sam Glanzman, appeared periodically as back-up stories in most of DC's war comics during the 1970s. Based on Glanzman's experiences aboard the real-life Stevens (a destroyer) during World War II, the stories are fictionalized vignettes of events he saw or heard about.  They are excellent and often heart-felt tales that talk about the boredom, terror, danger and tragidy of war.

"King of the Hill" appeared in Star Spangled War Stories #174 (October 1973) and is a great example of just how good these stories are. It begins with the Stevens finishing up a mission shelling a Japanese facility on a remote island. (I love the the caption here: "We were lying off Borneo shelling an oil refinery or perhaps it was a storage facility... Who knew... few crew members knew or cared about the target.")




Afterwards, they stop at a supply depot to re-stock on ammunition, with a petty officer "volunteering" some of his men to fill out the ammo detail that goes ashore. But once there, someone notices that, aside from ammo, there's quite a few crates of fresh food lying about.


They are told that they can take ONLY the ammo. But somehow, 15 crates of fresh food end up being stored below decks on the Stevens. How did that happen?


At first, the Marine sergeant in charge of the depot is seriously ticked off and uses words such as "#%&!$%" and "*&@!#!$!."  But then a small apes is seen taking a crate. The poor animal effectively frames himself for the crime. 

A Marine climbs to the top of the ammo crate pile to playfully wrestle with the ape. At first, both Marines and sailors enjoy the show, laughing at the antics. But then the situation takes an abrupt and tragic turn when the ape loses his temper.



Enraged, the ape attacks the Marine with tooth and claw. Before it can be shot dead, it has killed the Marine.



And that's it. A man who had survived the campaign on Gaudalcanal dies senseless because he wanted to play with a big monkey. And that's war. However justified a country may be to go to war--however well-led the military may be--people are going to die for stupid reasons. 


That's it for now. Next week, we'll lighten things up a bit as we accompany Casper the Friendly Ghost to school.

Monday, January 25, 2021

Sunday, January 24, 2021

Friday, January 22, 2021

She/He MADE Me!: ANGELA MAKES TIM WATCH: Sabrina (1995)

She/He MADE Me!: ANGELA MAKES TIM WATCH: Sabrina (1995):   SABRINA (1995), starring Harrison Ford & Julia Ormond. Written by Barbara Benedeck & David Rayfiel. Directed by Sydney Pollack. TI...
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