BOOKS WORTH READING

BOOKS WORTH READING
Click on Melvin for reviews of every book I read

Thursday, May 13, 2021

My Favorite Spaceship Crew

 

cover art by John Schoenherr

My favorite spaceship crew should be the bridge crew of the original starship Enterprise, shouldn't it? Kirk, Spock, and McCoy, along with Scotty, Sulu, Chekov and Uhura, are an important part of my childhood and I never get tired of watching TOS episodes. (Well, except for "Spock's Brain.") The character dynamics and interactions were perfectly balanced and the best of those episodes (along with Wrath of Khan) are superb science fiction. 


But, well--though I may be betraying both my childhood and my fellow Trekkies everywhere, I must admit that there is a spaceship crew I like a little bit better. Just a little bit, mind you. But there you are.


David Falkyn, Chee Lan and Adzel are not explorers in the purest sense. They work for Solar Spice and Liquors and their job is to find new markets for trade. Many planets have furs, spices, pharmaceuticals and so on that can be sold for high prices on other planets. So when a planet is identified as a possible source of trade, the three merchants fly their ship Muddlin' Through to that planet to make a trade agreement. 


They appear in stories and novels written by Poul Anderson--part of his Future History that includes an era in which the Polesotechnic League era, in which galactic expansion and exploration is fueled by capitalism. Falkyn had already appeared in several stories, but it is when he is given his own crew that he really takes off.


Falkyn is human. The feline-like Chee Lan is a xenobiologist from the planet Cynthia. The huge, centauroid (scary-looking but sweet and even-tempered) Adzel is a planetologist from a world called Woden. And, though their personalities do not parallel those of Kirk, Spock and McCoy, they establish a similar rapport and work together just as effectively. They are awesome. 


cover art by David Egge

In a way, Falkyn and crew have an unfair advantage over the Enterprise command crew, since there were no budget and technical restrictions limiting the use of aliens. That two of the three Muddlin' Through crew are non-humanoid aliens does give them a coolness factor that the TV show could not quite emulate.


They first team up in the novela "Trade Team," serialized in the July and August 1965 issues of Analog Science Fiction. Anderson later rewrote it as "The Trouble Twisters" and it became the title story in an anthology of stories featuring Falkyn.


This first adventure finds the team on Ikrananka, a small world that orbits around a small sun, though close enough to allow for life to exist. At first, that life seems to consist primarily of the native intelligent species, who are furred, beaked and stand about five feet tall. They have a pre-industrial technology, though it is eventually learned that one particular city is experimenting with Leyden jars and other methods of generating electricity.


The team lands near an outlying city of an empire and begin negotiations. It is soon apparent that the local Ikranankan authorities are stalling, though. And when a human woman being chased by Ikranankans is seen, she becomes one heck of a wild card.


There is a human community on Ikrananka--the descendants of humans stranded on the planet by space pirates a few generations earlier. Because of their size and their increased strength due to the low gravity, they have become soldiers. But one human faction has rebelled against the empire and taken possession of a city, which the imperial army is now besieging.


From David's point-of-view, rebellion and war is bad. Aside from moral considerations (which the merchants do not ignore), it's bad for trade. To establish steady trade here, there needs to be stability. David initially thinks that helping the empire squash the rebellion might be the best plan--with the technology aboard the Muddlin' Through, they could do so without killing anyone. But the girl (named Stepha) objects to this and soon arranges for Falkyn to be kidnapped. In the meantime, Chee Lan is jailed by the Ikranankan and Adzel is soon a fugitive. Bad luck leaves both of them with broken radios, so they can't call the A.I. on their ship (named Muddlehead) for rescue. Nor can they reach the now heavily-guarded ship alive.


cover art by Steve Ferris

All this trouble must thus be twisted about to turn their desperate situation to an opportunity to force the various factions on the planet to come to terms and, of course, start buying their stuff.


"The Trouble Twisters" is an excellent and exciting Sci-Fi story. Anderson was skilled at world-building, making the Ikranankan society interesting and believable. The action flows smoothly throughout the tale, with lots of plot twists to which my brief summary does not do justice. And the interplay between Falkyn, Chee, Adzel and Muddlehead are often priceless and the story as a whole is full of humor that never takes away from the sound plot. We completely accept that these three completely different beings and their computer can come together to form an effective team. They are indeed my favorite spaceship crew.

Sorry, Captain Kirk. That's just the way it is. 





Wednesday, May 12, 2021

The Stranger

 



We return to Superman Family #182 (March-April 1977) with a trip to the distant past as Clark Kent tells Pete Ross's son (who knows Clark is Superman) a story about Krypton.



4000 years ago, a famine left people hungry and a despotic ruler was making things worse. A rebellion led by a guy named Bel-Der was growing in strength.


Upon this scene comes Jo-Mon, a messianic figure who is mediating disputes and healing people And, though the Messiah parallel is obviously there, it should be mentioned that Jo-Mon gives no credit to God or gods, but to "the strength of will to fight what you fear." There is obviously no disrespect meant at all aimed at religious beliefs, but the messianic parallel (and the message of the story) is reduced in power by this. 

Otherwise, Paul Krupperberg's script is well-constructed and Marshall Roger's art is magnificent. 




The tyrant tries to have Bel-Der assassinated, which ignites the situation into open warfare. Jo-Mon tries to talk the tryant down, but that doesn't end well.


The battle begins and Bel-Der's untrained rebels begin to get slaughtered. But Jo-Mon tries talking again, this time lecturing both armies about peace and brotherhood. 



This works, convincing both sides to stop fighting. But this, in turn, drives the tyrant insane and he guns down Jo-Mon. The last panel before we flash back to Clark telling this story to Jon doesn't make the subsequent situation completely clear, but apparently the tyrant's hold on the people is broken and world peace comes to Krypton.


It is a good story, but really does have it's flaws. Jo-Mon's perpetual serenity means he lacks any real personality and his "let's all just be nice to each other" message lacks any real power.


On a more trivial note: We see that ancient Krypton had both horses and sheep. Since we know the planet had humans, dogs and monkeys, I guess this isn't that much of a surprise, but a more alien design for the horses, for instance, might have helped give us a more concrete sense that it was taking place on another planet.


Next week, we'll jump back to the Marvel Universe to finish up the Captain America story we began last week.


Tuesday, May 11, 2021

Monday, May 10, 2021

Friday, May 7, 2021

Friday's Favorite OTR

 Cloak and Dagger: "File 2218" 5/7/50



An agent parachutes into German-held territory, posing as a German. But a subtle mistake in his behavior threatens to give him away to the Gestapo.


Click HERE to listen or download. 

Thursday, May 6, 2021

AAAHHH! I READ IT IN THE WRONG ORDER!

 



I love PT Boats, taking an inexplicable geeky joy in them. In fact, I've written about books featuring PT boats a number of times. (HERE, HERE, HERE, and HERE


I recently scored a copy of the 1968 novel South Pacific Fury, by James Macdonnell, which also recounts the adventures of a PT boat. This short, fast-paced and truly exciting book stars Walt Kenyon, commander of PT 44. A few hair raising encounters with the Japanese (a bombing run by an enemy plane and an encounter with a destroyer) jump starts the story with a bang (actually, a number of bangs). After that, Kenyon is given the mission of picking up a coastwatcher from an enemy-held island. The Japanese have tumbled to the coastwatcher's presence and are hot on his trail. Also, he has important information that he wasn't able to transmit before his radio went on the fritz.


From there, the book switches from chapter-to-chapter between Kenyon's point-of-view and that of the coastwatcher, whose name is Cook. It's a standard but always effective narrative technique, expanding the action beyond the deck of the small boat and giving us a succession of cliffhanger moments.


The action set pieces are first class. The 44 boat runs into enemy activity and has some engine trouble at an inconvenient time. Cook, in the meantime, deals with an infected bayonet wound in his thigh while barely avoiding both the Japanese and a venomous snake.  But even though the PT boat and the coastwatcher haven't yet rendezvoused or even made radio contact with one another, they still manage to work together. At the same time, Kenyon finds himself in a position that might require him to act with mindnumbing recklessness in order to both complete his mission and survive.


I loved this book and it does tell a complete story in of itself. But as I read it, there seemed to be a call back or two to previous adventures. After doing a bit of research, it seems likely that this book is a sequel to a 1967 novel titled Convert. At the very least, that novel is about someone who takes command of a PT boat after being transfered from a larger ship--which is also Kenyon's back story.


So I have, in all likelihood, read this out of order. That means I may receive a stern letter of reprimand from the International Society for Determining the Order in Which to Read Your Books. We all know what that means.


Oh, well. Hopefully, I'll be allowed to maintain my blog from my prison cell. I wonder if Angela will wait for me while I'm in stir.



Wednesday, May 5, 2021

A Monster Who Isn't A Monster

cover art by John Romita




Captain America and the Falcon #135 (March 1971) makes one think about cliches and tropes. The story, written by Stan Lee and drawn by Gene Colon, uses a version of the Jekyll and Hyde routine, in which a man transforms himself both physically and morally into a monster. But its an example of why some ideas are continually reused. They are the entry way for countless variations of the basic plot and, in the hands of good storytellers, often still make for entertaining stories. Colon's art looks great and the fight scenes are fun. Also---well, if Angela had failed to notice me the way Julia fails to notice Dr. Gorbo, perhaps I would have transformed myself into a giant ape and gone on a crime spree. So it is difficult not so sympathize with him. 


The issue begins with Cap bringing Falcon (at this time still a fairly new character) to SHIELD headquarters. Falcon meets Nick Fury and demonstrates his skills as a fighter by brawling with Dum Dum Dugan. 



While this is going on, we meet the aforementioned Dr. Erik Gorbo, whose lab is located near the combat area where Falcon and Dum Dum are sparring. Gorbo is crushing on his lab assistant Julia but realizes she doesn't see him in a romantic light. She's more interested in talking about another scientific experiment going on--the Earth Dig project--than in him. Though, to be fair to her, she's unaware of his interest and treats him with respect. Gorbo is butt-ugly, but there's no indication this bothers her. She just isn't in to him. 



Nowadays, this is an issue that would probably end with everyone talking to H.R.  But in 1971, it often ended with the rejected guy drinking a secret formula to make himself physically swesome and thus impress the girl. 



Unfortunately for Dr. Gorbo, the formula turns him into a large gorilla, which rarely impresses the ladies. But he has an antidote and he now also has an evil plan. He can rob banks as a gorilla, then turn himself into a human again so that no on suspects him. He also learns he can mentally control other animals, so he orders all the dogs in the neighborhood to attack the police, thus ensuring his getaway.


Well, a gorilla robbing banks is the sort of thing that draws the attention of superheroes. Cap and Falcon are soon on the trail, though they are also distracted by attacking dogs when they try to catch the gorilla.


But when Dr. Gorbo is next in his lab, Julia tells him she's going to watch the Earth Dig project, which involves digging the deepest hole ever dug into the Earth. In a world where we KNOW that subterranean civilizations exist, this seems like a bad idea. But science must march on.


Anyway, Gorbo gets jealous of the Earth Dig project and attacks it in his ape-form. This starts another tussle with Captain America and ends with the both of them falling into a very, very deep pit.



We'll return to this story in two weeks to see how it ends. I do think it gets off a fairly strong start. A lot of the stuff that happens on SHIELD can seem a bit like filler, but it does serve a purpose in introducing Falcon to a portion of the larger Marvel Universe while giving us a chance to meet Dr. Gorbo. As I already mentioned, Colon's art is wonderful and, though Gorbo is largely a jerk, he does have a few moments that allow us to feel some sympathy for him.


I'll have to ask Angela if turning myself into a giant ape would have impressed her. Probably not, I suppose.


Next week, we visit the planet Krypton.

 

Monday, May 3, 2021

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